UI - Review
21 Dec 2024
UI is a film that ventures deep into philosophical territory while tackling the harsh realities of contemporary society. Directed and starring Upendra, the film explores the dichotomy between good and evil through its central characters, Satya and Kalki, both played by Upendra himself.
Satya is a young man burdened by visions of a dystopian future, grappling with an inner conflict, while his alter ego, Kalki, embodies his rage against the destruction of the world. The struggle between these two personalities forms the crux of the story, with Satya seeking redemption and Kalki striving for domination.
At its core, the film addresses societal issues, particularly the addiction to knowing others' problems while ignoring personal rights and failing to fight for what is right. This philosophical theme is presented in a satirical and somewhat wacky manner, with a unique narrative structure that takes the audience on a surreal ride. While the underlying message is commendable, the execution leaves much to be desired.
Upendra delivers a powerful performance, showcasing his ability to play two vastly different characters, Satya and Kalki, with distinction. His costumes and portrayal of the characters are well executed, capturing the essence of their contrasting ideologies. However, despite his strong performance, the direction falters.
The film’s narrative is loud, over-the-top, and at times confusing, making it difficult for the audience to fully grasp the story’s intent. The pace of the first half feels slow, with several moments that seem unnecessarily exaggerated, which might lead to disengagement for some viewers.
The film’s visual effects are one of its standout features, transporting viewers to a fantasy world with impressive set designs and graphics. The production design deserves special mention, as it helps elevate the fantasy element of the film. The music composed by Ajaneesh Loknath, particularly the background score, complements the film’s tone and enhances the overall experience.
However, the film’s complex themes and dark humor might not resonate with everyone. The first half’s loud and chaotic nature detracts from the film’s otherwise important social commentary. Upendra’s typical dark comedy, which audiences are used to in his previous works, is absent in "UI," making the film feel less engaging.
The Tamil dubbing and dialogues are well done, and the editing could have been tighter—several minutes could have been trimmed from the first half to improve the pacing.
While "UI" offers valuable insights into the societal and political issues of our times, the film's convoluted narration and lack of general entertainment make it a challenging watch for the average viewer.
The film seems to cater to a niche audience who can appreciate its satirical and philosophical approach. For those willing to invest the time to understand its layers, "UI" presents an ambitious attempt at social commentary. However, its lack of clarity and over-the-top execution may leave many feeling disconnected.
Ultimately, "UI" is a film that will resonate with a select few, while others might find it difficult to connect with its heavy-handed approach.
Tags: UI, Upendra